Kamis, 27 Februari 2014

[M744.Ebook] Free Ebook Jesus, Criteria, and the Demise of AuthenticityFrom Brand: Bloomsbury TT Clark

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Jesus, Criteria, and the Demise of AuthenticityFrom Brand: Bloomsbury TT Clark

Criteria of authenticity, whose roots go back to before the pioneering work of Albert Schweitzer, have become a unifying feature of the so-called Third Quest for the Historical Jesus, finding a prominent and common place in the research of otherwise differing scholars. More recently, however, scholars from different methodological frameworks have expressed discontent with this approach to the historical Jesus. In the past five years, these expressions of discontent have reached a fever pitch.

The internationally renowned authors of this book examine the nature of this new debate and present the findings in a cohesive way aimed directly at making the coalface of Historical Jesus research accessible to undergraduates and seminary students. The book's larger ramifications as a thorough end to the Third Quest will provide a pressure valve for thousands of scholars who view historical Jesus studies as outmoded and misguided. This book has the potential to guide Jesus studies beyond the Third Quest and demand to be consulted by any scholar who discards, adopts, or adapts historical criteria.

  • Sales Rank: #11831045 in Books
  • Brand: Brand: Bloomsbury TT Clark
  • Published on: 2012-08-30
  • Released on: 2012-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.56" h x .86" w x 6.47" l, 1.20 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Review
“Overall, each article is well written and the footnotes leave the reader with plenty of extra reading material to pursue for further research. Each scholar is qualified to speak on these topics. The issues they bring up are very relevant to the topic of Jesus studies. I also found Mark Goodacre's chapter on Multiple Attestation chapter to be helpful.” ―Eric Chabot, THINKAPOLOGETICS.COM

About the Author
Chris Keith is Professor of New Testament and Early Christianity and Director of the Centre for the Social-Scientific Study of the Bible at St. Mary's University College, Twickenham, UK. He is the author of The Pericope Adulterae, the Gospel of John and the Literacy of Jesus, a winner of the 2010 John Templeton Award for Theological Promise, and Jesus' Literacy: Scribal Culture and the Teacher from Galilee. He is also the co-editor of Jesus among Friends and Enemies: A Historical and Literary Introduction to Jesus in the Gospels, and was recently named a 2012 Society of Biblical Literature Regional Scholar.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Groundbreaking - The Traditional Method is Dead
By Johnny Walker
Chris Keith and Anthony Le Donne have put together a forceful collection of essays in Jesus, Criteria, and the Demise of Authenticity. Honestly, this book has the potential to completely reshape the way historical Jesus studies are executed. The historiographical foundation of the Third Quest has been the criteria of authenticity. If one is to engage the sources seriously, then the criteria, it is said, are the scholarly tools for the job. Yet, as Keith and company show, the criteria cannot deliver what they promise.

The volume begins with an introduction by Le Donne articulating the intentions of the assembled scholars. While they are not monolithic in their evaluation of the criteria, they are unified in a general unrest and dissatisfaction with the way the criteria have been used. Thus, the volume is primarily unified in deconstruction while containing considerable variance in prescription for the future of historical Jesus studies. For example, some contributors think the criteria remain a valuable though limited tool, while others call for wholesale abandon of their use. Yet the thesis remains the same, the traditional use of the criteria is untenable.

The next two chapters are by Chris Keith and Jens Schr�ter. Keith demonstrates the dependence of the criteria upon form-criticism, arguing persuasively that if form-criticism is dead, then so are the criteria. Schr�ter in turn considers the historiographical methodology that underlies the criteria. As perhaps one the most sophisticated historiographers currently engaged in the Quest, Schr�ter's voice is especially significant. He demonstrates the bankruptcy of the form-critical approach as a historical methodology and argues in favor of an approach that takes the Gospels seriously as narratives - recognizing the Gospels as a whole as our sources for reconstruction.

The next part of the volume considers the five most prominent of the criteria, in my view, successfully exposing their weaknesses as tools of authentication. Loren Stuckenbruck begins by completely dismantling the criterion of Semitic influence. Anyone wishing to employ Semitisms for authentication will have first have to go through Stuckenbruck - a task I doubt can be accomplished. The second criteria on the chopping block is the criterion of coherence. Anthony Le Donne demonstrates convincingly that coherence is nowhere near an objective tool. The history of its use reveals how intertwined it has been with the subjective pre-understanding of the scholar. Likewise, it leaves no room for inconsistency in historical figures - something that basic experience should guard us against.

Dagmar Winter turns her scope to the criterion of dissimilarity. This is without a doubt the most suspect of the criteria. Nearly every article contributes throws at least a few jabs at dissimilarity, even when that is not their subject. Winter previously coauthored a volume with Gerd Theissen, The Quest for the Plausible Jesus, which completely obliterates dissimilarities worth (see my review). Thus, she is well qualified as the contributor for this article. She successfully summarizes her previous argument and offers a way forward that flips dissimilarity on its head.

Rafael Rodriguez then offers a critique against the criterion of embarrassment. He shows how the criterion falls short of objectivity because it relies on the historian's own portrait of early Christianity (this is rather similar to Winter's critique of dissimilarity). The events that historian's consider embarrassing are only embarrassing when placed in a particular narrative. For example, Jesus' baptism is only embarrassing if it is assumed that he is sinless. However, we can't be confident that all early Christians thought that. In fact, it may actually have bolstered Jesus' authority because it associated him with a famous prophet. Thus, the criterion of embarrassment is unable to deliver of the objectivity that it promises.

Ending the onslaught of the individual criteria is Mark Goodacre. He evaluates the worth of the criterion of multiple of attestation. Goodacre concedes the basic historiographical point that more sources attesting is better than less. However, he is not confident that we are able to identify when we have multiple sources. This is where his critique of Q is relevant, as he argues that Q and Mark may not represented two independent sources. Really, we are not confident enough to discern whether any of our sources can truly be considered independent of one another. If that is the case, the the criterion is of no use.

The volume ends with two chapter by Scot McKnight and Dale Allison and a short conclusion by Keith. McKnight argues that the "Authentic Jesus" (the Jesus of the criteria) is of no use for the Church, because the Church already has its portrait of Jesus in the creeds and the Gospels. However, he does concede a limited apologetic worth contained in the Quest (though, not necessarily the criteria). Allison then provides his own musings on the use of the criteria. He remains very skeptical of their worth showing how he has grown increasingly wary of their use, for much of the same reasons as contributors argued. Keith then wraps it up in a hopeful tone, suggesting that the Quest is not bankrupt - we can still do real history - yet the game has certainly changed. The rules by which we used to work are no longer tenable and a new path must be charted. A path that admittedly has yet to be identified, however, work is being done and social memory may provide the missing key.

My Thoughts

As I said in introduction, this book has the potential, if widely read, to completely redefine the task of historical Jesus research. Each of the contributors is convincing, leaving the overall impression that things need to change. If historical Jesus research is to continue, than the criteria, at the most optimistic evaluation, need to be completely reworked.

It is a bit daunting because the old foundation is stripped away. A lot of questions are left unanswered. The way forward is unclear. But that is the cost of good history - a willingness to rethink from the ground up. This was much a needed volume. While it was not groundbreaking in its arguments (many of these arguments have been made previously), it was groundbreaking in its unified presentation.

A dart has been lodged in the heart of traditional Jesus scholarship. A new way of doing history needs to be found.

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9 of 10 people found the following review helpful.
As someone who has a great interest in the Historical Jesus studies
By Eric Chabot
As someone who has a great interest in the Historical Jesus studies, I was excited to get a review copy of the book Jesus, Criteria, and the Demise of Authenticity, by Chris Keith and Anthony Le Donne. The premise of the book is whether what historical Jesus scholars utilize to establish as to what Jesus really said isauthentic. The criteria that are analyzed in this book have been mentioned in John P.Meier's A Marginal Jew.

Here are the criteria that are discussed in this book:

1.Criteria of Multiple Attestation

3.The Criteria of Coherence

4. The Criteria of Dissimilarity

5. The Criteria of "Semitic (Aramaic) Influence on the Greek"

My thoughts on the book:

The overall mood of the book is that the criteria that have been and continued to be used by Jesus scholars need to be "jettisoned." The authors (especially Le Donne) seem to be calling for Jesus scholars to punt to more of a post modern view of history. The attempt to use such criteria are a form of what Le Donne calls "positivist" historiography. Hence, the attempt to "verify" and "objectify" a historical Jesus is a wasted process. In other words, it is time to move on. There is no finding any kind of objective criteria that would ever help us to get to the Historical Jesus.

Each chapter attempts to show the shortcomings of each of these criteria. It is because of this I find the authors to overstate their case. If I was to see this book rewritten, I would like to see the authors say the criteria needs to be modified and not entirely jettisoned.Despite the book's shortcomings, there are some strengths. Overall, each article is well written and the footnotes leave the reader with plenty of extra reading material to pursue for further research. Each scholar is qualified to speak on these topics. The issues they bring up are very relevant to the topic of Jesus studies. I also found Mark Goodacre's chapter on Multiple Attestation chapter to be helpful. This is mostly because I have always found Q to be a questionable source to use for Historical Jesus scholars. I also agree with some of the criticisms about the dissimilarity criteria.

In my conversations with Michael Licona about the book, he has told me there will be a response to this book sometime later this year. After all, almost all the Historical Jesus books on my shelf have utilized some of the criteria. For me personally, I think the work on eyewitness testimony by Richard Bauckham and the ongoing work of social memory is promising. I advise reading Michael Bird's latest book The Gospel of the Lord.

1 of 1 people found the following review helpful.
Highly recommended!
By Anthony Lawson
This is a highly recommended book for those who are interested in historical Jesus studies. The authors take issue with the "Criteria of Authenticity" the backbone of most of historical Jesus research done over the last several decades. The authors represent differing positions, some believe that the criteria should be completely abandoned, while others see some of the criteria as being useful but needing revision. This is not a fundamentalist hit job but a scholarly tome that should be taken seriously, even if one doesn't fully agree with the positions taken.

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Rabu, 26 Februari 2014

[T317.Ebook] Ebook Download Secrets of a Sparrow: Memoirs, by DIANA ROSS

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Secrets of a Sparrow: Memoirs, by DIANA ROSS

OUT OF PRINT - BRAND NEW! 1ST EDITION 1993 WITH DUST JACKET & FREE PROMOTIONAL POST CARD TYPE CARD! TIGHT CLEAN UNMARKED BEAUTIFUL COPY - SLIGHT TEAR IN D/J UPPER LEFT CORNER OTHERWISE IN MINT CONDITION - ORIGINAL FIRST EDITION HARDCOVER WITH DUST JACKET - TRULY BEAUTIFUL - BRAND NEW! CLEAN UNREAD UNMARKED COPY!

  • Sales Rank: #2420041 in Books
  • Published on: 1993
  • Binding: Paperback

Most helpful customer reviews

12 of 13 people found the following review helpful.
Boring!!!!!!!!!!
By A Customer
This sad book spends too much time looking at Diana's kids and other topics not important to the general reader. One would expect a well-rounded memoir of her career, but Miss Ross leaves you hangin' on! "Set me free, why don't you, Miss Ross"!! I bought this book for $2 from a sale rack and I think it is worth that only because of the wonderful photographs. The photographs earned this book one star. If you want an inciteful look into Diana's early career with the Supremes, you would be much better off reading Mary Wilson's 2 memoirs. Otherwise, there are several unauthorized but better memoirs of her later career available.

13 of 16 people found the following review helpful.
WHAT SECRETS?
By A Customer
Miss Ross has done it again! Total control of a manuscript that should have wound up in the trash. No insight into the friction between her and Florence Ballard, no historical anecdotes of the recording sessions, all this book is about is Miss Ross and her family. That's fine but most people want to read about her history with the Supremes and Motown and RCA records..It has a nice cover and will make your coffee table attractive until she writes something a little more informative keep your coffee mug on top of the book you won't need to buy a coaster.

23 of 31 people found the following review helpful.
AND IF YOU BELIEVE THIS, THERE'S A BRIDGE I CAN SELL YOU....
By Lorrie Irby
Diana Ross, stung by all of the juicy insider gossip and unauthorized biographies, wanted to sit down and tell her own side of the tale. The only problem with that is, she took the word too literally. While she does give little-known family anecdotes and photographs, she manages to smooth over every negative aspect of anything without seeming to own up to her part in it, or even acknowledging that some fault (or bad judgment, youthful naivete, whatever) of hers even exists. She treats the late Florence Ballard's alcoholism like it was a character flaw, like she and Berry played no part in her eventual destruction. And when she brings up leaving Motown or the Supremes, she waxes rhapsody like it was just a learning experience and not an attempt at (music) world domination. The result is that she paints herself to be a saint and makes her mistakes look even worse, almost as if she thinks that people who followed her career, fans or not, are stupid enough to believe in her "innocence". By attempting to hide the ugly parts, Ms. Ross only magnifies her self-deluding tendencies and she takes absolutely no responsibility for her wrongdoings, something that she should be confident enough to do at this stage in life. But since she isn't, this book is nothing but a fairy tale. If you want the REAL deal, check out "Call Her Miss Ross" and read the quotation from her at the beginning. It sums up her attitude completely. Nice try, Diana.

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Kamis, 20 Februari 2014

[E320.Ebook] Get Free Ebook The Beauty's Beast, by E.D. Walker

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The Beauty's Beast, by E.D. Walker

Lady Kathryn's father sends her to court to find a husband, but being penniless and disinterested doesn't bode well for her success. Bored by the petty intrigues of court, her frustration and loneliness are eased when the king charges her with the care of his newest acquisition: a wolf he and his hunters have recently captured. What the king doesn't realize is his remarkable pet was once Gabriel, his favorite knight, cursed into wolf form by an unfaithful wife.

The beast's too-knowing eyes and the way he understands and responds to her every utterance convince Kathryn he is more than what he seems. Resolving to restore him, she doesn't count on the greatest obstacle being Gabriel himself. The longer he stays in wolf form as a captive of the court, the harder it becomes for him to remember his humanity and to fight his wolfish urges to maim and kill.

Only Kathryn's affection and determination stand between Gabriel the wolf and Gabriel the man. But when the one who betrayed him returns to court, will Kathryn's love be enough to keep Gabriel from exacting a brutish revenge that will condemn the wolf to death?

Praise for The Beauty's Beast:
"...a page-turner fairytale for the adult (or younger!) dreamer....I really enjoyed this tale! All of the main characters get a voice and have problems that they iron out through communication and truth AND in asides outside of the main two characters' issues. Gabriel is, honestly, even more loveable as a wolf as he tries to become the man Katryn believe him to still be (maybe it's the fur?), and I can definitely see myself in Kathryn, a very practical, witty, and compassionate handmaiden to the new queen (i.e. think a more demur, non-glamorous, and 16th Century Jennifer Cruisie heroine). How can you not like a book with a cheeky protagonist and a noble gentle-... were?"
~4 Stars from Night Owl Reviews

"Very well written...I highly recommend this book..."
~5 Tea Cups from Happily Ever After Reviews

Other books by E.D. Walker
*Heir to the Underworld, feuding gods, feral fairies and one normal teenager stuck in the middle just trying to get back to her family

  • Sales Rank: #2839680 in Books
  • Published on: 2010-11-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .51" w x 6.00" l, .62 pounds
  • Binding: Paperback
  • 224 pages

Review
"I really enjoyed this tale! ... Gabriel is, honestly, even more loveable as a wolf as he tries to become the man Katryn believe him to still be (maybe it's the fur?), and I can definitely see myself in Kathryn, a very practical, witty, and compassionate handmaiden to the new queen (i.e. think a more demur, non-glamorous, and 16th Century Jennifer Cruisie heroine). How can you not like a book with a cheeky protagonist and a noble gentle-... were?"
~4 Stars from Night Owl Reviews

"Very well written...I highly recommend this book..."
~5 Tea Cups from Happily Ever After Reviews

About the Author
E.D. Walker (a.k.a. Beth Matthews) is a Southern California girl, born and raised. She's a total geek, a movie buff, and a mediocre swing dancer. She lives in sunny SoCal with two of the neediest housecats on the planet.

For more information on E.D. Walker, please poke around her website (bethmatthewsbooks.com), "Like" E.D. at her Facebook Fan Page, or friend her on Twitter, Tumblr or Goodreads.

Or, you can just email her at:
e.d.walker.author(at)gmail.com

But, however you connect, she's always happy to hear from readers. ^_^

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0 of 0 people found the following review helpful.
and I loved it!
By Shaelie Amber
It was special, and I loved it!

10 of 10 people found the following review helpful.
Very Sweet
By Eve
First and foremost, the story is very much what the blurb indicates, so readers can know what they're about to read. That isn't always the case these days. And the story is as sweet as it seems. The author's take on the Beauty and the Beast story is original, and her characterization of both the heroine and hero is charming. Her choice of making the hero a werewolf was good.

I like the way Walker handled the hero particularly. Providing the wolf with an inner monologue that gives back story along with Gabriel's feelings for Kathryn is great.

The Beauty's Beast is part of Noble Publishing's Sweetheart Line, so don't look for any sex in this book. It's pure fairy tale with nothing but allusions to kissing, at most, except for an allusion to sex between the married king and queen in the story.

Overall, The Beauty's Beast is a very cute story, easily readable in one evening. If you like fairy tale retellings, pick it up and settle in for a sweet romance.

12 of 13 people found the following review helpful.
The Big GOOD Wolf
By Scott R.
***BIG SPOILERS - BEWARE***

Happened upon this by accident. Honestly, I hate the whole "Beauty and the Beast" theme. I saw the Disney movie with my friends 20 years ago and had "Be My Guest" going through my head for 3 years. (Oh great, now it's back). I almost had to throw myself off a cliff to make it stop.

But I do love werewolf stories. So I read the summary, took a chance on it, and read it in one sitting. It is that good.

This is not the usual werewolf story. The werewolf is not a wolf only at the full moon. He was that already for most of his life before his wife and lover pulled something nasty on him. Gabriel became a wolf for the next t 2 years of his life, as they figure out a way to trap him in wolf form so they can marry and get all his wealth (he is a duke and the king's nephew after all). He is desperately lonely, since he's a human in a wolf's body, and he doesn't fit into either world. But then Kathryn, the magician (whose name I can't spell), and the king and queen (of I think some part of France in the 11th century) all team up to save him. And yeah, they all pretty much live happy ever after (No shock, because everyone knows how this story turns out). It's the getting there that's the problem.

What I found especially refreshing about this book was that all the main characters knew that the wolf was Gabriel by the first quarter of the book. They then spend the rest of the book saving him. No angst of the wolf fearing that the people he cares about find out - he's actually quite happy, because they treat him like a man and a knight instead of an animal. Come on, the heroine even tries to sleep on the stone floor of the castle so the injured wolf can have the bed (chivalrous times would never allow the man to share a bed with an unmarried woman, even if he wasn't human). Naturally he doesn't allow that. Even the peasants and serveants throw away their silly supersitions about werewolves. It's a win-win situation for everyone!Except for the villains. Totally lose-lose there.

It's short, it's sweet, and it can't be put down. Now some reviews said they wanted to choke the wife through the computer screen. Nuh uh, it's the new husband that you want to strangle. I even felt a little sorry for the wife at the end - because a curse comes back on the caster three-fold (you'll see). Don't worry, everyone in the book gets what's coming to them.

Read it. Read it twice. And then read it again in a couple of months. You will be a happy. I'm glad I took a chance on a theme I didn't like. Now if I could just get that stupid song out of my mind...

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Sabtu, 15 Februari 2014

[O895.Ebook] Ebook Current Consult Cardiology, by Michael H Crawford

Ebook Current Consult Cardiology, by Michael H Crawford

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Current Consult Cardiology, by Michael H Crawford

Current Consult Cardiology, by Michael H Crawford



Current Consult Cardiology, by Michael H Crawford

Ebook Current Consult Cardiology, by Michael H Crawford

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Current Consult Cardiology, by Michael H Crawford

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