Ebook Hughie, by Eugene Gladstone O'Neill
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Hughie, by Eugene Gladstone O'Neill
Ebook Hughie, by Eugene Gladstone O'Neill
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Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941. In the play, only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew that gives purpose to the shabby livs of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions.
- Sales Rank: #5427209 in Books
- Published on: 1959-12
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 38 pages
About the Author
William L. O'Neill is Professor of History at Rutgers University. An authority on World War II, his numerous books include America's Fight at Home and Abroad in World War II and American High: The Years of Confidence, 1945-60.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great example for late Eugene O'Neill work. Presented in abridged form to Toastmassters
By Gregg G. Knepley
I am doing this as a Toastmaster's Advanced Speech. I am abridging it down to 15 minutes. Representative of some good, maybe not the best, Eugene O'Neill. Short and only 2 characters. Perfect for my requirements.
7 of 8 people found the following review helpful.
Illusion in humanity
By AmazonCustomer
A unique format for a one-act play, Eugene O'Neill's Hughie reads more like a short story than a play because of the very lengthy monologues. There are two characters, Erie, a 40ish year old man, small town gambler, lonely soul, boaster, and a run down hotel clerk who merely listens without listening.
The setting is New York, between 3-4 a.m. in midtown New York, a deteriorating hotel built by 1910. The night clerk is new to the job, and focuses on the sounds of the streeets, the city. He encounters Erie Smith, a small town gambler and known to the night clerk as 492. Erie Smith comes back the the hotel and spends the evening discussing Hughie, the previous night clerk who died recently.
We learn all about Hughie through Erie. Hughie was a family man, with children, he was trusting, and led a simple life. Erie was a bragger, an illusionist, low down gambler who has it one day and gone the next. Erie's life is a stark comparison to Hughie's. Erie's keeps letting the night clerk know what a sucker Hughie was, believe anything, a sap, poor.
The reader learns how Hughie's character was important to Erie's ego, confidence. The story hooks the reader in from beginning to end. This was not one of the most popular plays, but very impressive in its format.
Eugene O'Neill died in 1953 and was an honored man with three Pulitzer Prizes for Drama and the Nobel Prize for Literature. This lengthy play, written in late 40s was performed in mid 60s. Jason Robards performed the role as Erie Smith in 1964.
Take the time to read Hughie, told by Erie and you will recognize a lot of "Eries" in our lifetime..... Rizzo
3 of 3 people found the following review helpful.
Portrait of a self-absorbed, semi-inebriated know-it-all
By D. Cloyce Smith
If you've ever been stuck in a room, late at night, with a rambling, self-absorbed, semi-inebriated know-it-all, then you'll recognize Erie, the character who dominates O'Neill's last one-act play. Erie Smith is the "type of small fry gambler and horse player" who imagines he is one of the "cynical oracles of the One True Grapevine." His demeanor alternates between pathos and superciliousness; he can be either endearing or annoying depending on the mood and the listener--but either version is hard to take in large doses.
After a night out on the town, Erie finds an unwilling listener in the hotel's night clerk, Charles Hughes, who has replaced the recently deceased Hughie (who, the audience imagines, probably dreaded Erie's late-night arrivals as well). What follows is an extended monologue of Erie's down-and-out life and of his reminiscences of Hughie. The poor clerk is less a character on this stage than a member of the audience, who absent-mindedly nods his head or grunts in agreement, often without even listening to what Ernie is saying.
The play was never performed during O'Neill's lifetime; its Broadway premiere (starring, of course, Jason Robards Jr.) was not staged until 1964--a decade after O'Neill's death. It's not as bad as some of the one-acts he wrote as an apprentice, nor will it ever be considered one of O'Neill's great works: "Hughie" places the same demand on the audience that its protagonist does on the clerk ("Sorry if I'm keeping you up, Sport"). In spite of the play's brevity, the source of its genius is also its basic shortcoming: O'Neill paints a totally convincing, familiar, and sympathetic portrait of a man who is, at heart, an unmemorable bore.
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