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A Perfect Crime, by A Yi
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"Where Anthony Burgess sought to conjure a world of abstract flair and inexplicable cruelty in A Clockwork Orange, Yi strikes a far deeper chord, delving into the mind of a youth whose lethal motivations are abundantly and undeniably troubling.
—World Literature Today
On a normal day in provincial China, a bored high-school student goes about his regular business. But he’s planning the brutal murder of his only friend, a talented violinist. He invites her round, strangles her, stuffs her body into a washing machine and flees town. On the run, he is initially anxious, but soon he alerts the police to his whereabouts, surrenders to undercover agents in a pool bar, and sabotages all efforts by China’s judiciary system, a steady stream of psychologists and his family to overturn the death penalty, all without ever showing a shred of remorse.
A PERFECT CRIME is both a vision of China’s heart of darkness – the despair that traps the rural poor and the incoherent rage lurking behind their phlegmatic front – and a technically brilliant excursion into the claustrophobic realm of classic horror and suspense.
- Sales Rank: #545812 in eBooks
- Published on: 2015-05-18
- Released on: 2015-05-18
- Format: Kindle eBook
Review
"One of the most talked about writers of fiction in China.... What lends A Yi's writing its power is the way it is informed by his work as a policeman — a career that constantly exposed him to the country's grubby underworld. In this way, the book calls to mind 19th-century French Modernists like Baudelaire and Rimbaud who shared a profound disgust for their society's conventional values, or C�line, a descendant of theirs who took their biting cynicism to a whole new level. As with A Yi, they each responded to their society's newfound industrial wealth with a contemptuous: That's all?"
—Howard French in The Wall Street Journal
"Tightly crafted … less a traditional catch-him-if-you-can crime caper and more a psychological probe into a pathological mind. Rather than cliff-hangers or plot twists, it’s the pulsating inner zeal of this nihilistic 19-year-old that gives the book its verve…. The author’s background has provided him with rich pickings to portray China, both in the grim, claustrophobic poverty of rural life and later in the corrupt actions of the lawyers and police.... A PERFECT CRIME may be anchored in Chinese society, but its existential crisis is universal. "
—Clarissa Sebag-Montefiore in The Wall Street Journal
"A former police officer who writes from experience, A Yi excels in his vivid, sordid portrait of contemporary China. It's a heartbreaking tale of a rotten, alienated society fueled by greed - a nation in moral crisis."
—South China Morning Post
"A terrifying, technically flawless account of moral darkness within the contemporary People's Republic, by one of mainland China's most accomplished and promising young novelists."
—Julia Lovell, The Opium War: Drugs, Dreams and the Making of China
“A Yi is one of the most gifted Chinese authors in recent times.”
—Nobel Prize winning poet, Bei Dao
"This impressively nasty account of a motiveless murder could well be said to mark a fiendishly clever point where Albert Camus nods benignly to Bret Easton Ellis.... It is as much about the society in which it takes place as it is about the killer or the crime.”
—The Irish Times
"A Yi's isolated narrator is equal parts calculating monster and forsaken victim: deserted, neglected, and ignored, he finds that his only means of feeling alive is to engender death. This austere English PEN Award winner offers an exponentially more chilling alternative to the plethora of dystopic titles; fans of Mo Yan, Yu Hua, Fuminori Nakamura, and even Keigo Higashino will surely find resonating, realistic terror here."
—Library Journal
"Yi, a former police officer, is slowly rising to prominence on the literary scene in China, where this novel was published in 2011. It seems a commentary on both the culture and on the amorality and emotional detachment of one individual in it. "
—Booklist
About the Author
A Yi is a Chinese writer living in Beijing. He is the author of two collections of short stories and has published fiction in Granta and the Guardian. In 2010 he was shortlisted for the People’s Literature Top 20 Literary Giants of the Future.
Most helpful customer reviews
2 of 2 people found the following review helpful.
excellent and perceptive work
By Cobbett
The book's flap correctly points out some similarities with Kafka, Camus, and Dostoeyvsky; readers of these authors will be able to recognize the similarities. The translation does seem to be a bit awkward in places, but I cannot be sure of this, since I cannot read the book in the original language. The story is tight, and puzzling in parts. And the author creates many interesting metaphors. The story expresses a deeply and astutely perceived philosophy. The end explains what you did not understand earlier . . . "and when all that will be left is dancing dust."
1 of 1 people found the following review helpful.
Predicable, but still kept my interest to the end ...
By Gregory N Dillon
Predicable, but still kept my interest to the end. Chapters moved rapidly with plenty of similes and for me there were too many. Made be believe that their justice system was what could be bought by the Yang. The final chapter analysis of the reason for committing his crime was hard to accept for he laid it all of society. Still I was OK with it.
2 of 3 people found the following review helpful.
imperfect editing
By Hande Z
The young protagonist kills his classmate. The murder has no apparent motive but when the story reaches its ending the reason for the killing becomes clear. The story begins with a crime and then a hunt by the police for the killer; the tension and suspense are not immense but sufficiently tight to captivate the reader. The end of the tale, which is the best part of the book, takes on a deep philosophical and sociological examination of life and death. The protagonist’s senseless and wanton killing of Kong Jie is intended to demonstrate the meaninglessness of life. He emphasises this point by the careless disregard for his own life. Kong Jie is dead, so what? He is going to be executed, so what? The ultimate point, is, what about the rest of us? What about life itself? In the context of the overall picture of the vast and timeless universe, what is life? What is life when even the most magnificent stars also burn themselves out? It is only a matter of time. That is also the same point Camus was making in his version of a similar theme in ‘The Stranger’.
This English translation conveys the story and meaning well but there are pockets in which the translator seemed to have taken the Chinese text literally rendering the translation a little awkward. For example, it is not clear whether the line 'She was probably out of battery or spending time with her friends' was spoken by the victim's mother or the killer. The phrase 'out of battery' might have been a reference to Kong Jie’s cell-phone but the sentence as produced is too colloquial (when the context does not suggest that it was a colloquial statement). At various other places, the use of the word 'they' is not clear who it was meant to refer to.
There is also a misspelling of 'my butt' as 'by butt'. "Ma paid her back a long [time] ago' had the word 'time' missing. These are faults of the editorial team rather than the author or translator and mar what would have been a perfectly enchanting book.
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